![]() ![]() Since then, they have become his esteemed companions. Sylvain Daniel on the bass and Arnaud Roulin on the analogue keys are two musicians close to the saxophonist, and that he met when they were students in 1999 while organising a master class at the Conservatoire de Nantes. CTI didn’t hold back in fuelling their compositions with brass and violins, but I erased this aspect and pared things down to a bass, drums and two keyboards.”Įnglish drummer Jim Hart, someone Julien worked with during his London years, propels the group - from hard-bop polyrhythms with “drum & bass” inflections to a reworking of classic Red Clay. Mathieu Débordes got everything down to the nearest note before we even attempted to play them. The choice of tracks was determined by Julien’s personal tastes, always keeping in mind a desire to help people discover them yet focusing on the joy of actually playing them too. I noticed, oddly, that many of today’s musicians know very little about CTI - a label unfairly considered as minor.” “To breathe life into this album, I listened to a wealth of CTI releases and discovered some I had never heard before. Yet CTI, though highly prolific during its 15 years of activity, has not benefitted from the same aura as its predecessor. The two even shared the same sound engineer, the great Rudy van Gelder. ![]() Created by producer Creed Taylor, CTI left an imprint in the minds of 70s jazz fans much like Blue Note did in the 60s, and it even ended up releasing work by artists who started out on this mythical label such as Stanley Turrentine and Freddie Hubbard. ![]() He was also charmed by the lush arrangements and funky sound of the record, typical of releases on the CTI label. When his mother brought Stanley Turrentine’s Salt Song LP back from a trip to Canada, Julien Lourau, then a teenager, was impressed by the scope of the sound and the groove of the saxophone. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |